What were the topics we chose to focus on?
Literature, Art, Technology, and...music, architecture.
Presentations, quick.
Then, some thinking stuff.
How to be an observer and thinker- deconstruction?
Close reading of an advertisement.
Using the definition from the book...annotation HW-
Groups and plans going forward... where do we start?
HW-
What things should presentations include?
| Art Periods/ Movements |
Characteristics | Chief Artists and Major Works | Historical Events | ||||
|---|---|---|---|---|---|---|---|
| Stone Age (30,000 b.c.–2500 b.c.) | Cave painting, fertility goddesses, megalithic structures | Lascaux Cave Painting, Woman of Willendorf, Stonehenge | Ice Age ends (10,000 b.c.–8,000 b.c.); New Stone Age and first permanent settlements (8000 b.c.–2500 b.c.) | ||||
| Mesopotamian (3500 b.c.–539 b.c.) | Warrior art and narration in stone relief | Standard of Ur, Gate of Ishtar, Stele of Hammurabi's Code | Sumerians invent writing (3400 b.c.); Hammurabi writes his law code (1780 b.c.); Abraham founds monotheism | ||||
| Egyptian (3100 b.c.–30 b.c.) | Art with an afterlife focus: pyramids and tomb painting | Imhotep, Step Pyramid, Great Pyramids, Bust of Nefertiti | Narmer unites Upper/Lower Egypt (3100 b.c.); Rameses II battles the Hittites (1274 b.c.); Cleopatra dies (30 b.c.) | ||||
| Greek and Hellenistic (850 b.c.–31 b.c.) | Greek idealism: balance, perfect proportions; architectural orders(Doric, Ionic, Corinthian) | Parthenon, Myron, Phidias, Polykleitos, Praxiteles | Athens defeats Persia at Marathon (490 b.c.); Peloponnesian Wars (431 b.c.–404 b.c.); Alexander the Great's conquests (336 b.c.–323 b.c.) | ||||
| Roman (500 b.c.– a.d. 476) | Roman realism: practical and down to earth; the arch | Augustus of Primaporta, Colosseum, Trajan's Column, Pantheon | Julius Caesar assassinated (44 b.c.); Augustus proclaimed Emperor (27 b.c.); Diocletian splits Empire (a.d. 292); Rome falls (a.d. 476) | ||||
| Indian, Chinese, and Japanese(653 b.c.–a.d. 1900) | Serene, meditative art, and Arts of the Floating World | Gu Kaizhi, Li Cheng, Guo Xi, Hokusai, Hiroshige | Birth of Buddha (563 b.c.); Silk Road opens (1st century b.c.); Buddhism spreads to China (1st–2nd centuries a.d.) and Japan (5th century a.d.) | ||||
| Byzantine and Islamic (a.d. 476–a.d.1453) | Heavenly Byzantine mosaics; Islamic architecture and amazing maze-like design | Hagia Sophia, Andrei Rublev, Mosque of Córdoba, the Alhambra | Justinian partly restores Western Roman Empire (a.d. 533–a.d. 562); Iconoclasm Controversy (a.d. 726–a.d. 843); Birth of Islam (a.d. 610) and Muslim Conquests (a.d. 632–a.d. 732) | ||||
| Middle Ages (500–1400) | Celtic art, Carolingian Renaissance, Romanesque, Gothic | St. Sernin, Durham Cathedral, Notre Dame, Chartres, Cimabue, Duccio, Giotto | Viking Raids (793–1066); Battle of Hastings (1066); Crusades I–IV (1095–1204); Black Death (1347–1351); Hundred Years' War (1337–1453) | ||||
| Early and High Renaissance (1400–1550) | Rebirth of classical culture | Ghiberti's Doors, Brunelleschi, Donatello, Botticelli, Leonardo, Michelangelo, Raphael | Gutenberg invents movable type (1447); Turks conquer Constantinople (1453); Columbus lands in New World (1492); Martin Luther starts Reformation (1517) | ||||
| Venetian and Northern Renaissance (1430–1550) | The Renaissance spreads north- ward to France, the Low Countries, Poland, Germany, and England | Bellini, Giorgione, Titian, Dürer, Bruegel, Bosch, Jan van Eyck, Rogier van der Weyden | Council of Trent and Counter-Reformation (1545–1563); Copernicus proves the Earth revolves around the Sun (1543 | ||||
| Mannerism (1527–1580) | Art that breaks the rules; artifice over nature | Tintoretto, El Greco, Pontormo, Bronzino, Cellini | Magellan circumnavigates the globe (1520–1522) | ||||
| Baroque (1600–1750) | Splendor and flourish for God; art as a weapon in the religious wars | Reubens, Rembrandt, Caravaggio, Palace of Versailles | Thirty Years' War between Catholics and Protestants (1618–1648) | ||||
| Neoclassical (1750–1850) | Art that recaptures Greco-Roman grace and grandeur | David, Ingres, Greuze, Canova | Enlightenment (18th century); Industrial Revolution (1760–1850) | ||||
| Romanticism (1780–1850) | The triumph of imagination and individuality | Caspar Friedrich, Gericault, Delacroix, Turner, Benjamin West | American Revolution (1775–1783); French Revolution (1789–1799); Napoleon crowned emperor of France (1803) | ||||
| Realism (1848–1900) | Celebrating working class and peasants; en plein air rustic painting | Corot, Courbet, Daumier, Millet | European democratic revolutions of 1848 | ||||
| Impressionism (1865–1885) | Capturing fleeting effects of natural light | Monet, Manet, Renoir, Pissarro, Cassatt, Morisot, Degas | Franco-Prussian War (1870–1871); Unification of Germany (1871) | ||||
| Post-Impressionism (1885–1910) | A soft revolt against Impressionism | Van Gogh, Gauguin, Cézanne, Seurat | Belle Époque (late-19th-century Golden Age); Japan defeats Russia (1905) | ||||
| Fauvism and Expressionism (1900–1935) | Harsh colors and flat surfaces (Fauvism); emotion distorting form | Matisse, Kirchner, Kandinsky, Marc | Boxer Rebellion in China (1900); World War (1914–1918) | ||||
| Cubism, Futurism, Supremativism, Constructivism, De Stijl (1905–1920) | Pre– and Post–World War 1 art experiments: new forms to express modern life | Picasso, Braque, Leger, Boccioni, Severini, Malevich | Russian Revolution (1917); American women franchised (1920) | ||||
| Dada and Surrealism (1917–1950) | Ridiculous art; painting dreams and exploring the unconscious | Duchamp, Dalí, Ernst, Magritte, de Chirico, Kahlo | Disillusionment after World War I; The Great Depression (1929–1938); World War II (1939–1945) and Nazi horrors; atomic bombs dropped on Japan (1945) | ||||
| Abstract Expressionism (1940s–1950s) and Pop Art (1960s) | Post–World War II: pure abstraction and expression without form; popular art absorbs consumerism | Gorky, Pollock, de Kooning, Rothko, Warhol, Lichtenstein | Cold War and Vietnam War (U.S. enters 1965); U.S.S.R. suppresses Hungarian revolt (1956) Czechoslovakian revolt (1968) | ||||
| Postmodernism and Deconstructivism (1970– ) | Art without a center and reworking and mixing past styles | Gerhard Richter, Cindy Sherman, Anselm Kiefer, Frank Gehry, Zaha Hadid | Nuclear freeze movement; Cold War fizzles; Communism collapses in Eastern Europe and U.S.S.R. (1989–1991) |
Periods of English Literature
Anglo-Saxon or Old English
literature (500 A.D to the 12th century): the English
literature of this period is made up entirely of oral poetry. The
characteristic literary form is alliterative
accentual verse. The
greatest literary achievement of the age is the
epic Beowulf
(written down in ca. 1000).
Middle English
literature (from the end of the 12th century to 1500): a new period begins because the
Norman Conquest (1066) has brought significant changes both to the English
language and to literature. The greatest poet of this period is Geoffrey
Chaucer (ca.1343-1400). Characteristic genres are the verse romance (e.g.
Sir Gawain and the Green Knight, or Chaucer’s Troilus
and Criseyde),
mystery plays (e.g. the Second Shepherd’s Play),
and morality plays (e.g. Everyman).
This is a period that spans the 16th
and 17th centuries in England (note that in Italy the Renaissance
started as early as the 14th century). The most famous
English authors in this period are Sir Thomas More, Edmund Spenser, William Shakespeare,
John Donne, John Milton. The reign of Queen Elizabeth (1558-1603) is usually
considered to be the high point of the English Renaissance and is often
referred to as the Elizabethan era.
Note that in Europe the Renaissance
typically ends in what is described as the Baroque period. Although in
art and architecture this category is applicable to British art history, as well,
in literature there was no distinct baroque period in Britain.
Although such Renaissance authors as John
Milton and Andrew Marvell died long after the Restoration of the Stuarts took
place. 1660, the year of the Restoration, is still regarded as the start of a
new era. This period is predominantly neo-classical in
its aesthetic attitude (especially the Augustan age 1660-1740) and
characteristically rationalistic in its outlook. For the latter reason this era
is also often referred to as the Age of Reason, the Age of Common Sense, or the
Enlightenment. Characteristic authors are John Dryden, Alexander Pope, Jonathan Swift,
Samuel Johnson. The 18th century also saw the rise of the English
novel. The most important English novelists of
the period were Daniel Defoe, Samuel Richardson, Henry Fielding, Lawrence Sterne.
Romanticism (1789-1832)
probably
started earlier in England than in any other European country. The characteristic
achievement of the era is to be found in the poetry of William Blake, William Wordsworth,
Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley, and John Keats.
Note that in
European literature the term Romanticism is usually used to describe the period
starting with the 1830’s. The dates of English Romanticism given above roughly
correspond to German ‘early romanticism’ (Frühromantik),
while the period of European Romanticism covers approximately the English Victorian
Age.
The Victorian
period covers the years of Queen Victoria’s reign (1837-1901).
Victorian poetry, as practiced variously by such authors as Alfred Tennyson,
Robert Browning, Algernon Charles Swinburne, Dante Gabriel Rossetti, is more or
less a continuation of the traditions of English Romanticism. The Victorian era
is also the heyday of the novel. Chales Dickens,
the Brontë sisters, William Makepeace Thackeray, George Eliot and Thomas Hardy all
wrote their masterpieces in this period.
Pre World War II:
perhaps the most characteristic literary achievement of British literature before
1945 is the modernism associated with
the names of Henry James, Joseph Conrad, T. S. Eliot, James Joyce, Virginia Woolf
and others. It is characterised by experiments in form and style, and a breaking
away from established rules and conventions.
Post-war literature
(postmodernism):
as it is practically the present, this is the most difficult period to define,
especially as there is no clear dividing line between modernism and post-modernism.
The post-war period, however, produced experimental techniques in all genres, such
as the Theatre of the Absurd, associated with Samuel Beckett and Harold Pinter,
and new modes in poetry and fiction, too. Some outstanding authors in English literature
are Philip Larkin, Ted Hughes, Salman Rushdie, John Fowles, Kazuo Ishiguro
and Tom Stoppard.
https://btk.ppke.hu/uploads/articles/135505/file/introduction/satellite/literary_history.html
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